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The Indispensable Composers: A Personal Guide, by Anthony Tommasini
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Review
“[Tommasini] defends the value of distinguishing the great from the merely good…Tommasini does a fine job of conveying the inner life of a piece, through his rhythmic sentences and sculpted paragraphs…One cannot help coming away from it with a more rounded understanding of classical music at its peak.”—Phillip Lopate, New York Times Book Review“The story of four centuries of music in essays on seventeen composers, from Monteverdi to Stravinsky…all suffused with memoir and colored by a lifelong love of opera.”—The New Yorker“A pianist himself, Tommasini infuses his essays with insights from a lifetime of playing and listening.” —San Francisco Chronicle “A must for musicians and music lovers alike.” —Pittsburgh Post-Gazette “A spirited musical compendium to the best of the best…[Tommasini’s] goal is to keep his assessments simple, insightful, and jargon-free, and he succeeds…Entertaining, highly enthusiastic, and very knowledgeable, he’s the perfect guide [to the great composers]…all exuberantly presented for your edification and enjoyment.” —Kirkus “Insightful…Tommasini twines engaging biographical sketches of the maestros and their tragic ailments, love affairs, and endless scrambles for money with appreciations of masterpieces, the latter enriched by his memories of hearing and performing them…he excels at the difficult task of capturing music in words…The result is an engrossing study that will appeal to both classical music aficionados and novice listeners who want a road map.”—Publishers Weekly “A treasure trove of biographical information and a primer on the language and notation of music itself…Tommasini makes a potentially dry and academic subject accessible.”—Library Journal“Anthony Tommasini’s book is itself indispensable—not only for those who already know how immortal are Monteverdi, Bach, Haydn down to Schoenberg, Stravinsky, and Bartók, but for those who want to read Tommasini’s take on what makes our great composers lifelong companions we like to take wherever we go and would ask/want nothing more than to hear a few last notes from before leaving them forever.”—André Aciman, author of Call Me by Your Name “Anthony Tommasini is an engaging, authoritative guide to the careers and works of great composers. Writing accessibly about even the more technical aspects of the music, he shares what these creations have meant to him in ways that should also make them essential listening for his readers."—Walter Frisch, H. Harold Gumm/Harry and Albert von Tilzer Professor of Music at Columbia University and author of Arlen and Harburg’s Over the Rainbow “Few critics in history have been as rigorously trained or deeply versed in music as Tony Tommasini. Page after page of this exuberant book show not only his comprehensive knowledge — he writes with the music under his fingers — but also his infectious love for the great classical repertory.” —Alex Ross, author of The Rest is Noise
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About the Author
Anthony Tommasini is the chief classical music critic for the New York Times. He graduated from Yale University, and later earned a Doctorate of Musical Arts from Boston University. He is the author of three books, including a biography of the composer and critic Virgil Thomson. As a pianist, he made two recordings of Thomson’s music on the Northeastern label which were supported by the National Endowment for the Arts.
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Product details
Hardcover: 496 pages
Publisher: Penguin Press (November 6, 2018)
Language: English
ISBN-10: 1594205930
ISBN-13: 978-1594205934
Product Dimensions:
6.4 x 1.5 x 9.5 inches
Shipping Weight: 1.7 pounds (View shipping rates and policies)
Average Customer Review:
4.0 out of 5 stars
11 customer reviews
Amazon Best Sellers Rank:
#28,828 in Books (See Top 100 in Books)
Starting with a justification of an exercise he is uncomfortable with ( it flows out of a New York Times series on the top 10 composers) the author writes convincing arguments about his selections and their place. I found the discussion of Schubert's struggles and the related reflections from the authors life to be especially mind expanding. (As one working at understanding the writing of Teilhard de Chardon it makes me yearn for the manifestation of the Omega point.)The arguments in this book also helped understand and place Schoenbergs 12 tone system in the historical development of music. And the book finishes with very sensible arguments about being open to new music without worrying about its place in the canon. And the new understanding this book has given me will help me more thoroughly appreciate the wealth of recordings in the new Bach 333 set.
For several years the distinguished author has been a musical critic for the prestigious New York Times. He also sports a Ph.D in music and has recorded classical music. Out of that rich experience he wrote a series of 2011 articles in his newspaper on the top ten composers of all time! Out of that series this book published in 2018 has been developed and presented to the public. I found it fascinating! Even for me who is not a musician I found the biographical and analytic studies of the various composers to be worth reading about. He begins with Monteverdi who was key in developing Italian opera moving on to such giants of the art as Bach, Handel, Mozart, Beethoven, Schubert, Schumann, Chopin, Verdi, Wagner, Bartok, Schoenberg, Stravinsky Liszt, Puccini and several others. The book is a joy to read and would be a great gift for a music lover of any age. Music is the international language and this book is a great homage to its power and emotion in the human psyche. Highly recommended!
Since my introduction to classical music listening to my older teenage sister practicing her piano lessons, I've enjoyed classical music, although I have no inclination to learn an instrument or sing. I've listened to classical music while studying, at the NY Philharmonic during a 2-year subscription many years ago, and while reading, eating and doing chores around the house. While I am now familiar with most of the often played repertory of the 18th, 19th and early 20thy century composers , I had little knowledge of the development of that music, until I read Indispensable Composers. Although it has its share of lingo, which is beyond me, Its given me great pleasure. I actually read the book next to my computer and listened to many of the works mentioned in the book on You Tube as I read it. It has enriched my pleasure in listening to music and introduced me to 20th century composers such as Bartok, whose compositions I now enjoy.
I followed the author comments in new York Times for some time.He is an educated critic and this book is easy to read.I give the book only 4 stars because I think there is a most appropriateway to suggest to the reader the importance of his selection then "indispensable".
Good read with insightful musical comments. I particularly liked the 2 YouTube links. As a lapsed violinist I missed any discussion of the two towering works, the Beethoven and Brahms Concertos. Also I’ve never warmed to 12 tone music and would have left Schoenberg off my list. Your college years were mine and my musical appreciation was similarly expanded by The Beatles.
Generic stuff about the obvious composers, more (and more boring) stuff than we need to know about the author. Will knowing that Monteverdi reorganized a library enhance your appreciation of classical music?Better options: "Year of Wonder" (skip the Intro); YouTube master classes; Schiff's Lectures on the Beethoven piano sonatas...
I suppose this could have easily been a generic and slight overview but Tommasini makes it such a personal and convincing account. He writes beautifully and speaks from deep insight and experience.The book would make a great holiday gift for a music lover.I like his ability to offer serious musical opinion in such an appealing and human way.Highly recommend!
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